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Omnibus #1

by Wifehood

supported by
wiley soule
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Manhatten (Fan)
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met3mpsyk6sis
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these violent delights
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grimrobescraft
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Naomi
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pc45
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  • Streaming + Download

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      $10 USD  or more

     

1.
No Moon on the Coast 02:51
2.
Sirens at Midnight 01:33
3.
Trip to the Wetlands 01:52
4.
Same Hole Different Rocks 02:29
5.
Memories Distorted Like Stars 00:35
6.
Nostalgia is Poison 02:18
7.
Preserving to Destroy 01:46
8.
Streetwalker 00:41
9.
Tundra 02:56
10.
Faded Moves 00:40
11.
Remember the First One 00:17
12.
It Never Leaves You 00:50
13.
Wishing on Reversed Time 02:27
14.
Pentecostal 02:27
15.
Lace 03:22
16.
Slippin' 02:30
17.
Blue 02:04
18.
Sunburnt 02:18
19.
Homebound 00:26
20.
Starfruit 02:13
21.
Pacemaker 00:17
22.
Messi 00:16
23.
Replacement 02:31
24.
Condensation 00:47
25.
Youth 01:41
26.
Bodied 02:19
27.
Government Regulated Social Media Ban 02:00
28.
Sexual Googling 01:23
29.
Good Fruit 00:36
30.
Car Ad Music 01:36
31.
Stay Low 00:33
32.
Piped Up 01:44
33.
Spin Ya Around 00:51
34.
Big Bounce 02:28
35.
Turkish Royal 00:35
36.
Phoenician Blinds 02:19
37.
Have to Kill Something 00:49
38.
On Time 01:28
39.
Blunted Edges 03:17
40.
Yes! (It Needs Help) 04:19
41.
Al's Track 02:07
42.
Leaking 03:09
43.
Skinny 00:55
44.
Bless Up 05:38
45.
Love2Much 01:15
46.
Smoked 00:42
47.
Jesu 01:39
48.
Depression X Sanity 01:42
49.
Rural X Humming 02:13
50.
Clubbing X At Home 01:49
51.
Stop X Go 02:01
52.
Love X Prison 01:18
53.
Beaches X Apartments 02:12
54.
Upright X Alseep 01:57
55.
Heaven X Earth 02:25
56.
Shopping X Disowning 02:58
57.
Rain X Hospitalized 02:04
58.
PDX Rain 06:32
59.
After Visit 07:45
60.
Evil in the Face of Illness 07:14
61.
On the Prowl 08:22
62.
Nostalgia for Something that Never Existed 07:46
63.
Love Won't Die (Like I Will) 05:59
64.
Real Nostalgia 08:33
65.
Cut Off 05:36
66.
Transfiguration on Tabor 05:29
67.
Narmer Meditation #1 05:32
68.
Imhotep in Exile 04:20
69.
Imhotep's Tomb Suite #1 02:31
70.
Mut Kicker 01:44
71.
Hatshepsut Sexy 01:34
72.
Imhotep's Tomb Suite #2 03:14
73.
Rainhouse 03:02
74.
Wheat Divined By the Eye of Horus 01:55
75.
Imhotep's Tomb Suite #3 02:20
76.
Celestial Sport 02:00
77.
Temple at Memphis 01:33
78.
Narmer Meditation #2 02:51
79.
On Hold 1.0 00:53
80.
Body Nod 01:42
81.
On Hold 1.1 00:49
82.
Inside Midnight 02:46
83.
On Hold 1.2 00:49
84.
Rebuilding 01:18
85.
On Hold 1.3 00:49
86.
Don't Come Home 04:48
87.
On Hold 1.4 00:49
88.
If You Do Not Call This Office 02:33
89.
On Hold 2.0 00:49
90.
Sunday Mourning 02:33
91.
On Hold 2.1 00:49
92.
A Place in Space 02:00
93.
On Hold 2.2 00:49
94.
Distressed and Traumatic 02:20
95.
On Hold 2.3 00:49
96.
On Hold With The PA 02:18
97.
On Hold 2.4 00:53
98.
Selling Your Soul For $7 an Album 02:19
99.
Huge Wishlist, No Collection 00:57
100.
Piracy Gave Us The Streaming Era 01:36
101.
They Have To Be Stopped 01:54
102.
Swine Love Corn 03:00
103.
This Song is About How I Am Part of The Problem 05:37
104.
Hip Invincible Fathers 03:12
105.
Unopened Local Ambient Record 01:40
106.
Scene Archetypes 02:25
107.
Hid My Knife Outside the Show 01:43
108.
Guilt as the Teacher 02:42
109.
Steve Jobs Knows What Your Soul Looks Like 02:38
110.
Imma Say 02:43
111.
Usagi Yojimbo 03:14
112.
Ocean's 19 03:12
113.
Airstream 01:39
114.
Like Your Face 00:44
115.
Eventually Being Forced Into Pods 02:09
116.
Bust This Thing Down 02:08
117.
Exhumed 02:08
118.
Lived and Died 01:42
119.
Apple Picked the Corpse 00:38
120.
Why Don't You Love? (Bonus Track) 04:57

about

BEHOLD THE OMNIBUS

Individual songs, though the mainstay of release structure in modern music, are rarely allotted with enough substance to transfer an ideal. The album evolved out of the suite and eventually became a condensed form of opera, yet is a bare minimum of space and time needed to convey a full idea. Even if your song is multi-faceted and extensive in length, the condensing of a singular idea must be seen from not a singular view point lest it’s potential for impact become lessened. Most artists present music as either individual song fragments or albums and collections of a larger scope. My music is told in multi-album arcs on a yet again more macro scale. Where the albums function as songs on larger albums referred to as “Omnibuses”. Individual albums serve both their own idiosyncratic purposes as singular artistic statements, and as zoomed out song style aesthetic placeholders for a larger scale Omnibus containing all of their collective aesthetics as a whole statement.
Each album explores its’ own specific ideals in such a way that they need not cross into each other’s realms. Yet as the project came together I realized that planning the names and covers of the projects well in advance provided a cohesive judgement of how those records sounds should be. The aesthetic did not dictate the sounds directly, as in some cases the albums were attempted to be recorded sequentially only to have tape six come out as tape seven due to the nature of the larger Omnibus. So there were many factors that went into the assemblage of both the individual albums and the first Omnibus I released completely over the course of 2019.
The first collection of albums colloquially referred to as Flood, contains 120 songs, all written recorded and released this year. There were well over 200 other tracks that were left behind for fear that they would lessen the impact of the cohesion of the Omnibus as a whole, yet there are hours upon hours of sound to still be dissected.

TL:DR

credits

released December 13, 2019

Wifehood - Instrumentation, Vocals, Production, Mixing, Mastering, Art
Erodi Uakari - Mastering (Tracks 1 - 26)

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